A little while back, I was on holiday in the seaside town of Whitby. Prior to this, I hadn't been in the arcades there, and I changed that on this visit. It wasn't anything amazing, even with some nice classics in Funland, like Sega Rally 1 & 2, After Burner Climax, and a deluxe Time Crisis 2.
But there was one game I knew was there, by a complete stroke of luck- Daytona Championship USA!
Announced by Sega Amusements' Twitter a day before I went, I was ecstatic when first saw it. The first new Daytona in the UK and it's where I was about to go on holiday, what were the chances! Of course, I got as many plays as I could on this game, and since it's still relatively new, I've put together a review.
Daytona Championship USA (Sega, 2017) Review
🎶 Daytonaaaaa~ 🎶
Sega's Daytona USA is one of the most prolific arcade games of all time, one that still has many fans thanks to its gameplay and graphics that have stood the test of time incredibly well. So when a new instalment was announced in late 2017, the hype was understandably very big. While it obviously wouldn't be up to the same standard as today's modern arcade racers like the Initial D Arcade Stage and Wangan Midnight Maximum Tune series, with their card and internet networking capabilities, it was a breath of fresh air to be getting something that wasn't just a reheated arcade adaption of something like Ford Racing or GRID here in the west. However, once the game started appearing at arcade expos, cracks began to show. 2 of the 3 new tracks were just reskinned mirrors of the original courses, and the majority of music was from the Dreamcast port of the game- not to mention the up-down gear shifter.
Some hardcore fans gave it scathing reviews, but there was still hope. The game wasn't yet completed, borne out in its eventual, curious renaming from 'Daytona USA 3 Championship' to simply 'Daytona USA Championship'. Maybe this didn't bode well for what it would be like, but I still held out hope.
Well, right from the off, you get the feeling of the old Daytona from the attract mode- there's a beautiful new version of Let's Go Away blaring out of the speakers, there's that classic Daytona font, and the signature Sega blue skies are there. The graphics, though, are nothing special. On the surface, they're nice, the blue skies have never looked better and the new cars are brilliantly detailed with all the sponsorship logos. The iconic mountainside Sonic in Three-Seven Speedway has even been remade to his modern design:
The 'wow factor' the original had is of course gone, and although that's a slightly unfair assessment with console graphics having long surpassed their arcade counterparts, what's there is still nothing to write home about.
On the other hand, with 6 tracks in total, Daytona Championship offers more content than any other arcade Daytona release thus far. But this too is less impressive than it sounds, once a closer look is given.
The 3 'new' tracks featured in the game, alongside the other three classic tracks, are Daytona International Speedway, Lakeside Castle, and Metro City. I say 'new' because they really aren't! They may look nice and different on the outside, but the latter 2 are a redressed and mirrored Dinosaur Canyon and Seaside Street Galaxy, and there is very little difference between Daytona International Speedway and Three-Seven Speedway besides the setting. And not only that, but most of the music is recycled from previous Daytona games! There is the aforementioned new version of Let's Go Away for the attract mode and Daytona International Speedway, but everything else is from the arcade original or the Dreamcast port. Wouldn't of hurt for some entirely new compositions to have been made. One genuinely new feature is the 'Tournament' mode, where of course you go from track to track, similar to Sega Rally, and other arcade racer contemporaries. Unfortunately, you have to place first and only first to advance to the next track which I see as a transparent view as to gobble more coins up.
Apparently, actual tournaments can be made on the machine, but it isn't yet known how these work. From what I can gather, they aren't specifically arranged tournaments, but rather something where you can enter your name for track records over a set period of time, and come back on the end date to see if your attempt has been beaten. Not quite sure how this works; it's a good thing to encourage multiplayer competition, which is sorely missed from many arcades today, but I'm not certain it's been executed well here.
Another gripe I have is the fact that the default number of laps on courses are different to the original's. Sega Amusements have seemingly made many, many options concerning the game's difficulty from what this video entails, and some of the settings are questionable.
While the beginner tracks had the standard number of laps, the advanced tracks had 3 laps instead of 4, and the expert tracks had just 1! Thankfully the A.I. and time were like they should be, but I don't quite get the reasoning for the different number of laps. Perhaps to get people off the machines quicker?
The attention to detail is nice, and you do get a feel that the team working on the game had some appreciation for the original. The Virtua Fighter Jeffrey statue in Seaside Street Galaxy has now been changed to Akira- yes, the rotating easter egg is still there- and the secret music track, Pounding Pavement, can be selected from the 4th view change button. There are even some references to Sega's past on track sponsor boards like this 'To be this good takes AGES' slogan- the original catchphrase from the UK's much revered Mega Drive adverts. It's stuff like this that makes the whole experience just a bit nicer, as a whole.
I must mention the good design of the actual cabinet. Looking at it in pictures, I wasn't particularly keen on it, but in person it's better. I like the overall aesthetic of the cab, with vibrant colours, fictional sponsor logos, and a leather headrest at the back of the seat giving the whole thing more of a racing feel.
I wasn't a fan of the marquee screens at first, but now I think these are really quite nice! They display their own custom graphics, and respond to how the player is doing in game, as well as providing the camera feed.
However, despite some of the positive things I have mentioned about the machine design, perhaps the biggest problem with the game is the controls, partially brought on by what parts are used. The game has a overall Daytona feel, but something really isn't quite right with the steering wheel. There is an unacceptable dead zone in the wheel which takes some getting used to, and the force feedback isn't very effective at all. It's not unplayable, but a lot of the tightness and great control the original Daytona had is now gone.
And then there's the gear shifter. The standard for Daytona has always been a 4 gear 'H' shifter, but unfortunately Sega Amusements have opted for a up-down shifter like those found in OutRun 2 cabinets and others. This goes completely against how you drift in this game, unlike OR2, where most of the time you would just have to switch down a gear, then back up. Both the steering and gear shifter inaccuracies take a lot of the playability of the game away, and are very hard to adapt to. And this could've been so easy to avoid too!
So, finally, Daytona Championship USA is... fairly average. It's great to see Daytona back in arcades, but It just doesn't feel like there's enough new content here to keep me returning to it often, and the controls don't help too much either. We all love the original Daytona, and that won't ever change, but it's over 20 years old now- and it just doesn't compare to the newer arcade racing games out in Japan arcades at the moment. Something fresh and exciting would've been better, something like Daytona 2 was, but unfortunately this isn't. I will say this- it isn't just another console port of a racing game by Sega Amusements like their previous racing titles were (Ford Racing, GRID, etc), and the unfortunate truth is that it does have better gameplay compared to other arcade racers in the west at the moment! For example, Cruis'n Blast by Raw Thrills offers little variety in its gameplay, with only a gas pedal and steering wheel to use, and Storm Racer G by Wahlap Tech feels like a mobile game put in a arcade cabinet. Daytona Championship USA is miles ahead of these games, and I will give it credit for that. But, judging the game from it's content and replay value, it's just not enough. Sega Amusements could've done so much better, but sadly this isn't the case. OutRun 3 is supposedly 'on the radar' for Sega Amusements, and I'm not sure whether to lower my expectations or hope they pull out all the stops for it. Who knows what will happen with that. Overall, I give Daytona Championship USA a 5/10. I hope you enjoyed reading this review.
Ted EDIT: Since writing this review, the game has been accidentally leaked by Sega themselves as a result of the update, and runs on most PC's perfectly. From what I've heard, the control issues are not present in this version- so hopefully any cabinets with the update installed play better.
The London Trocadero. To the average Londoner, it may have just looked like a high-budget tourist attraction that crashed and burned several times over. But to thousands of gamers, both regulars and one time visitors, it meant so much more. While I myself wasn't around to experience it, I've made this blogpost chronicling it's history to do the place justice, as while others have tried to I feel most have left a lot of stuff out. Hope you enjoy reading.
Background history (1896-1984)
First, a bit of background history.
What has came to be known as the "Trocadero" complex itself currently encompasses several historic London buildings, all having housed numerous attractions in their past. The exact history of all of these is now hard to uncover, with a messy timeline depicted by many sources, but these included concepts as grandiose for the time as circuses.
However, it wasn't until the 1896 incarnation, The Trocadero Restaurant, that it earned the namesake that it's continued to hold to this day, derived of course from the significantly more famous Palais du Trocadéro in Paris. The restaurant itself was owned by J. Lyons and Co., and remained popular for many years, offering Opera Baroque style decor, and Arthurian murals adorning the grand, central staircase. Despite all of this, the venue went into decline shortly after the end of World War 2, and eventually closed in 1965.
Afterwards, the building was bought by Mecca Ltd, who sought to fill it with more modern attractions, including new restaurants, a casino, and nightclubs. This was just the beginning of its redevelopment.
Relaunch (1984 - 1995)
(the original entrance to the Trocadero)
Besides the standard Central London attractions it housed, the Trocadero would go on to lay mostly dormant for almost 20 years. Then, around 1984, it was redeveloped in a bid for it to become an entertainment centre aimed primarily at tourists, with a Guinness Book Of Records exhibition, shops, and an MGM Cinema, among other attractions.
At that time, it was the largest leisure scheme to exist in the UK, and things were looking up for the new complex after it was acquired in a joint venture by the infamous British entrepreneur Brent Walker and Irish developer Robin Power.
Then, around 1990, a little arcade named Funland opened.
It was a high-tech wonderland, full of the newest releases and innovations in arcade gaming. Overseen by Martin Bromley, one of the founding members of Service Games (the company which eventually became what we now know as Sega), Funland was a mecca for many arcade gamers, never failing to obtain the latest flashy machines before anywhere else in the country.
They were one of the very first British arcades, for better or for worse, to introduce ticket redemption games as part of the 'Laser Bowl' floor expansion made in 1991, which saw it gain an impressive new entranceway devised by architectural firm Proun, incorporating a large metallic robot and bowling pins. These moves made to cater to the widest audiences possible, including families, set a precedent to other arcades in the country, and were somewhat inspired by the changes developing in Japan with their gaming centres.
Among its scores of machines, some of the more notable games that Funland housed included Ridge Racer Full Scale, Galaxian 3, Galaxy Force II, multiple Sega R-360s, numerous imported sit-down 'Candy' cabinets, and the at the time cutting-edge Virtuality pods.
Thanks to the boost Funland gave it, the Trocadero became somewhat of a UK epicentre of virtual reality experiences and all things appealing to gaming-obsessed teens. Alongside a Quasar centre, moving towards the mid 90s, it would gain an Emaginator theatre, which sent riders down a CGI mine cart ride seated in moving rows, and Virtual Glider, a 3D paragliding attraction.
And then, there was Alien War, a 'total reality' experience situated in the sub-basement level of the Trocadero and based on 20th Century Fox's Alien film series. Infamous for its over the top theming, it was opened by Sigourney Weaver herself in October 1993, having already achieved notoriety during its previous incarnation as a mobile event situated in exhibition centres.
However, despite the new investments, there were still not enough tenants to keep the place afloat. By 1994, Burford Group PLC were in full control of the site. Headed by Nick Leslau and Nigel Wray, the intention was to acquire at least one tenant interested in expanding into a part of the building that hadn't been used in any meaningful way since the restaurant's heyday - much of it was now taken up by offices. Having already been tangentially relevant through Funland, this is where Sega properly comes in.
Sega's World-
To understand how Sega World London came to be, we need go back again to 1992. Sega were becoming a more dominant force in arcades than ever before, with their ground-breaking Model 1 (and later Model 2) hardware having been unleashed on the world. Games like Virtua Fighter, Daytona USA, and House Of The Dead would go on to wow arcade-goers around the world through their innovative and early use of 3D graphics, as well as addictive gameplay.
Despite this, something still had to be done about the state of arcade venues themselves. Most arcades in Europe, particularly the UK, differed from the examples in the US and Japan, in which they already had their own locations operating under several different guises. And competition was beginning to heat up in the latter country, with things escalating in the amusement industry after the successful opening of Namco's Wonder Eggs theme park in February 1992.
While the Trocadero's Funland was perhaps a step in the right direction for the UK, the arcades located in seaside towns up and down the country generally weren't as safe, weren't as clean or modern, and often had gambling machines to boot, usually making for a less than positive view in the eyes of much the general public and parents. Much more trustworthy entertainment could often be found.
So, Sega set out to change that. The newly-established Sega Amusements Europe, with the backing of Sega-owned distributors Deith Leisure, developed a plan to open their own branded arcades across the country. The clear intent of them was to be much more safer, to test their arcade games, and to raise the profile of arcade gaming as a whole in the UK. From the views of the executives with pound signs in their eyes, nothing could go wrong. In November 1992, soon after a successful press launch of Sonic 2 at the same location, they opened the 'Metropolis' arcade in the basement level of Hamleys in London. The venue was an immediate success, with a snack bar, impressive cabs like the previously mentioned R-360, and the first Virtua Racing machines to enter the country.
The ante was then upped further with the opening of Sega World Bournemouth, their biggest location outside of Japan at that point. It housed mini bowling, a Sega shop, a Burger King, and of course a smorgasbord selection of arcade games. The later addition of the AS-1 simulator hinted at a wider future for Sega's ventures, one already being teased in the gaming press.
More Sega venues started opening at the rate of once every couple months, often situated in bowling alleys, shopping centres, or even Blockbuster Video stores. They were initially very well maintained and cared for, and were often location test sites for many arcade games, particularly Sega's own. Yet, Sega Amusements had even bigger plans to come.
Sega World London (1996 - 1999)
From this interview by Sega magazine 'Mega Power' with Sega - shortly after the Bournemouth venue opened - it is claimed that they already were planning to open a Sega World in the Trocadero, apparently similar in size and scale to their Bournemouth location.
This, of course, did not happen, as despite a couple further vague mentions and name drops in the gaming press, there is no further evidence of Sega having any official presence at the location pre-1996.
While it was a risky move, the Burford Group, already desiring more space to be filled, encouraged them to expand to the rest of the unused land in the building during planning stages. It was exactly what Sega needed for a theme park, and while it may have been somewhat premature and early on in their plans for a series of locations across the globe, here was a opportunity right in front of them, and it understandably didn't want to be passed up.
Confidence in Sega providing a profitable attraction came from them being hot off their popular Joypolis theme parks in Japan. The first in a line of several, located in the city of Yokohama, opened in July 1994, was said to have drawn in 1.75 million visitors during the first year of operation alone. This set the target for London to achieve, and work soon began on the site.
By 1995, Sega were hyping up the venue's opening in the media, primarily through gaming magazines and TV shows. Buzzwords like 'futuractive' were thrown around; 3D concept renders of what the atrium could look like were shown off. Claims were even been made that it was the final culmination of over $1 billion worth of research and development.
After 18 months of construction, which included a complete refitting of the centre itself to keep inline with high-tech branding, Sega World, and the new Trocadero, opened to the public on September 7th, 1996, with mass media fanfare and coverage accompanying it.
Now, the inside of the Trocadero was almost unrecognisable compare to what it was before. Everything had gone from orthodox shopping mall to futuristic entertainment centre. The mirror-clad, marble sheen of the 1984 atrium was now one of metallic, glowing neon. Three massive screens covered the back walls, running advertisements and music videos. Sega and Pepsi signage was everywhere - the latter down to a new sponsorship deal made in the run up to the launch.
2 huge 'rocket' escalators were installed, whisking people up to Sega World's reception. These stopped once halfway at a podium where the screens could be viewed up close, but was also more notably used to give prominence to a short animatronic show, involving a monster, officially named Trocadilla, descending from the ceiling, and getting defeated by the four de-facto mascots of the venue, the Trocs - little spacemen which could be seen dotted around the walls of the centre, also descending from the advertising billboards in pods during the show.
It didn't end there. It now housed one of the UK's largest HMV shops, a secondary Madame Tussauds site under the name of Rock Circus, a new Planet Hollywood restaurant outside the entrance, and the first IMAX 3D cinema in the UK. This was a tourist attraction on a scale never before seen in Central London, and one still impressive to think about.
The site was a full on media blast, with endorsements by consumer brands everywhere, and British cultural icons of the time prevalent - Sega held a star-studded opening day with scores of celebrities, like Robbie Williams, and by the time Pepsi's "GeneratioNext" ad campaign rolled around, the mainstream pop music starlets of the moment, the Spice Girls, could be heard belting out their song Move Over in the main atrium every other minute.
Back to Sega World itself. Before zipping up the two rocket escalators, visitors would walk through the Trocadero's shopping arcade entrance way. Immediately, Sega's presence could be felt with two Sonic statues - the first placed outside, a golden one above a circular LED sign advertising the centre, and another by the entry point of the first escalator.
In total, there were 6 floors to the place, linked together and accessible through a further series of escalators and travelators, all either criss-crossing through floors or at the left and right sides of the very top of the Trocadero's atrium.
The first floor was the reception, where game tokens and later ride tickets could be purchased, and photo opportunities could be taken with another Sonic statue, clearly the centrepiece of the floor. A video wall, running a promo video informing visitors of the floors and attractions, ran behind this. Sega Saturn console setups could also be found here, often showcasing new releases including the likes of NiGHTS Into Dreams.
Just below the reception was then the first proper floor, Combat Zone, which had over 70 action games; mainly shooters, light gun games, and fighting games, like Virtua Cop 2, Virtual ON: Cyber Troopers, Fighting Vipers, and Virtua Fighter 3 - VF3 in particular had its UK launch at Sega World, having only just been put out in Japan weeks beforehand.
The Combat Zone also featured the first ride, Beast In Darkness. This was one of the only attractions to not have some sort of VR or 3D graphical feature, instead being more of a glorified ghost train/haunted house type deal, with sensors, surround sound, and the occasional live actor walking around to simulate the 'beast' lurking around you.
Next was The Race Track- this floor had over 70 racing games, and was arguably one of the more impressive floors of the place. Upper walls featured replicas of cars sticking out of them; highlights of its game selection included back to back 8 player deluxe setups of Manx TT Superbikes and Daytona USA. In addition to its cameras outputting video of racers to the screens above the cab marquees, the Daytona even had running commentary provided by an employee.
Many other linked multiplayer racing games were also situated here, including Scud Race, Sega Rally Championship, Sega Touring Car Championship, Le Mans 24, Harley Davidson & L.A. Riders, and Motor Raid.
Also notable here was an impressive Sonic mural, and the very F1 car that Damon Hill once drove in the 1993 Formula One European Grand Prix.
The Race Track's main attraction was Aqua Planet, also known as Aqua Nova at other Sega World and Joypolis locations. In it, riders would don a pair of 3D glasses and be transported to an undersea world which fell to decay at the hands (or tentacles, rather) of a giant squid monster. The main objective was to kill said squid, with three different endings achievable depending on how well teams did in doing so.
The 3rd floor was known as The Flight Deck, which featured 20 different flying games, including Sky Target, Wing War and a couple of the previously alluded to R360 simulators. An elusive Sega Net Merc VR machine could also be found here; a mere 70 units of it were supposedly produced due to the short supply of Model 1 arcade boards, with very few making it out of Japan.
Even more impressive was the Harrier Jump Jet hanging from the ceiling, which was lowered through the Trocadero's ceiling by a crane in a press event.
This floor's ride was VR-1 Space Mission, one of the premier simulators of the venue. This ride combined VR, hydraulics and sensors to provide a fully immersive VR experience, in which you would aboard a spaceship to 'deliver vital information to the planet Basco', destroying any enemy ships or debris in the way.
Sega World's biggest floor was The Carnival - a floor dedicated to ticket redemption machines, and more family-orientated games, with bright, garish colours everywhere. As such, there was a prize desk, where exclusive merchandise could be won, as well as Sega's consoles and games themselves.
While the UFO Catchers and ticket games were this floor's main draw, there was also a section on this floor called 'Segakids', with outlandish Sonic themed decor, including palm trees and gold rings painted on the walls, a McDonalds outlet shaped like a box of fries, and a childrens play area next to it.
This floor also had 3 rides. The first was Power Sled, a bobsled simulator that used four moving replicas of sleds and large projection screens to best simulate the feeling of flying down a sloped sled track.
A later addition to the park in 1998, this was at a few other Sega Worlds, and was also not limited to them - a few turned up at non-affiliated amusement centres in America and Japan, though this was the only known one in the UK.
The 2nd was House Of Grandish, another subsequent addition from 1997. Grandish was not too dissimilar to Beast In Darkness, in that it was another haunted house type attraction, with the added difference of your heart rate being monitored throughout it and given to you on a card by the exit.
The 3rd attraction and longest standing one was Ghost Hunt, an interactive ghost train. Riders would get in two seater pods, using transparent projection screens to overlay 3D monsters onto the real life background of a haunted mansion. These monsters could then be shot at with gun yokes; players were graded on how well they did by the end of the ride.
The final floor was The Sports Arena, which had 90 sports themed games. Among them were Alpine Racer, Wave Runner, and Sega Bass Fishing. A huge surfing Sonic statue could be found in the centre of the floor, and not only that, his two arcade games were situated here- SegaSonic Arcade, and Sonic The Fighters.
This floor appears to have been used most often for corporate parties, as shown in the videos below.
The floor had 2 rides - AS-1, one of the first of the line-up to be developed, offered the main technological thrills. AS-1 units had much in common with a normal motion simulator, already flooding theme parks all over the world, only better - it could hold more people, and was interactive. Sega World had two shuttles, one running Michael Jackson's Scramble Training, the other, Megaopolis: Tokyo City Battle.
Both saw you take some level of control of the game with a flight stick-type controller after brief introductions that utilised the technology, and played different endings depending on how well you did during the game.
The second ride was Mad Bazooka, a sort of bumper cars ride with an added twist. On the floor were little foam balls that your car could pick up and shoot out, aiming at a target on your opponents. Cars could only take so many hits before. This attraction was seemingly removed at some point during 1998, making no appearances in any leaflets or promotional material afterwards.
Also on the floor was the Sega Store, a prerequisite of any true theme park or tourist attraction. Sold in it was of course all kinds of merchandise, as well as Sega Saturn games and consoles.
With a strong lineup of hundreds of arcade games, several rides, and impressive theming, it sounded like nothing could go wrong. Surely Sega World would remain successful for years to come. But, a literally costly decision was made right from the start, the entrance fee, at £12 for adults and £9 for children. Visitors had to use their own money on the arcade games, sometimes costing up to £3 - not only that, but the expensive rides could only hold so many people at a time. A PR disaster was inevitable for Sega World, and on its grand opening day, in which numerous celebrities and members of the press visited, some rides had hour long queues, even with not many people in attendance. Some attractions could only take in 40 people every 60 minutes. They were simply not designed to sustain and power through the footfall that a Central London location could bring, a massive oversight on Sega's part.
Needless to say, newspapers and critics who reviewed the place were not impressed, criticising the cost of most everything in the place as well as the long wait times for so little in return, and so began a dogpile of bashing in the press. Sega World was not a high-tech theme park to many- it was a tacky tourist attraction with no heart or character put into it.
The Daily Telegraph described the park as “little short of a disgrace” and a “joyless tourist trap”. Cosmo Landesman of the Sunday Times felt that it was overall “very tacky". John Tribe of The Times reported the rides to be a “glitzy con-trick”.Perhaps the biggest kicker for Sega was the immediate discouragement of Nick Leslau, the Burford Group executive who helped make Sega World a reality:
"Sega could not deliver what they said they'd deliver. It looked amazing, but their rides were not capable of delivering the number of people they needed to deliver to support the operation. People were queuing for ages. It was a question of over-anticipation and under-delivery."
Sega quickly realised the criticisms, and in response put all the arcade machines on free play, as well as making moves to redesign the ride queuing systems. Despite getting the word out through important outlets for gamers, like Channel 4's Gamesmaster series and various magazines, the move fell on deaf ears for the general public and the mainstream media. They then took the entrance fee down to £2, bringing the games back off freeplay and charging customers redeemable tickets for the rides of their choice - cheaper, and in theory beneficial for all involved. While visitor numbers improved slightly, it too did nothing to dispel the notion on the site, and although few knew it at that point, Sega World's fate was essentially already sealed.
Confusion also reigned supreme on how the arcade machines would be charged for - management went back and forth between payment methods involving standard currency, dedicated game cards, and special tokens, some of which sourced from other Sega venues in the UK. In the midst of this, profits that should've made from them were seemingly lost. Scrubbing his hands of what he already knew was a failed venture, Nick Leslau quit his managerial role at the centre, giving way to John Conlon and Nick Tamblyn, previously of the First Leisure group. The new higher-ups immediately resented Sega - Conlon was heard to remark he 'wanted to get rid of Sega', the very day after he joined the company on the 2nd of September 1997.
By the time the first full year of operation was over, Sega World had drawn in around 950,000 visitors, missing Sega's original target of 1.75 million by a wide margin. Large losses were already beginning to be made, with management often only barely covering the high rent required for a location in Central London as a result of this.
In bids to generate more interest in the Trocadero, Pepsi again sponsored an indoor tower ride, the Pepsi Max Drop. An interactive James Bond ride named Licence To Thrill opened in the basement. Both initially attracted buzz from the media, but in the end helped little. With no end of losses in sight and increasingly displeased executives, Sega then decided to ditch the entry fees entirely, also upping the price of ride tickets. This only further fuelled the argument that the place was just a glorified and oversized arcade; one, in the opinion of some, that was worse than Funland, and Namco's Wonder Park arcade, with a basement full of fighting games and a local community only a short walk away on Great Windmill Street.
The free entry at least increased visitor numbers further up to the excessives of 4 million per year, but did also turn out to be somewhat of another fatal move, as some visitors ended up just passing through the floors and not actually spending money anything, primarily over confusion of what the park was. Crime became a prevalent issue, too, with the added problem of maintaining machines damaged by thugs. And while people would still come to play their favourite arcade games, the only edge it had over other arcades in London was the the guarantee of Sega's titles being playable before elsewhere. Hardcore players, particularly the fighting games crowd, preferred other establishments like Las Vegas in Soho (ran by the same operators as Funland), and Casino Leisure on Tottenham Court Road (owned by Electrocoin, with links to key companies like Capcom and Konami). Even Funland, virtually next door to Sega World, was said to be drawing in more regular visitors, enticing tourists with a new neon entrance and cheaper game credits.
However, the UK arcade scene as a whole was showing signs of decline during this period, another factor that didn't help Sega World. More reliance was put on fruit machines or deluxe sized cabinets by most operators, usually housing light gun and racing games, to provide experiences that properly couldn't be had at home - the average punter wouldn't be able to tell the difference between playing Tekken on a regular stand-up arcade machine, and playing it in the comfort of their living room on a PS1.
While these deluxe machines were often of good games, there was little substance or replayability in comparison to what had came before. Communities outside of cities like London shrunk exponentially, which were never quite as big as the ones that had developed in America or Japan anyway. And yet, two games were soon to be released that would change the scene drastically - Konami's Dance Dance Revolution and Beatmania.
Both of these would be classed as being of the then-obscure 'rhythm action' genre, which had little representation on consoles, let alone in arcades. But, two recent popular releases on the PlayStation, Parappa The Rapper and Bust A Groove, spurred Konami on to take the winning formula of those two games, and make it suitable for an arcade environment. Upon release in Japan in 1998, they were both massive successes, and waves were already being felt overseas as plans of an international release began. Unfortunately, despise the imminent revitalisation of the scene which Sega World potentially could have benefited from as a theme-park arcade hybrid, it was looking very real that the venue simply could not generate a sustainable profit for the Trocadero and Sega themselves. As a theme park or arcade, it wasn't working. Visitor numbers were better than previous years, but the profits from them just weren't enough, for whatever the reason it may have been. In 1999, internal plans were made among Sega Amusements and Deith Leisure for Family Leisure to sub-let the 6 floors under their Funland name, with no drastic turn around for Sega and the venue in sight. By September 1999, the plans were set in stone, and Sega World was soon to be no more.
Budgets were cut for maintenance, with rides often out of order due to shortages of parts and a couple even being entirely removed - the replacements being "Bar On 4", a restaurant, and a hastily assembled dodgems track. Less money was spent on marketing the centre too; the above flyer, with a badly photoshopped render of Sonic wearing sunglasses exemplified what little care was now going into the place.
The top floor began to have visible renovations being made, arcade cabinets crept in where they hadn't before to milk every last profitable drop while they could. Although new machines were still being bought for the centre, actual exclusives and location tests became more infrequent, taking away Sega World's small advantage over other amusement venues in the area.
Come September 1999, Family Leisue had assumed near total control of the floors, and by the start of 2000, the re-branding was finished; the new Funland was ready. Sega's dream was over in Europe, and shortly afterwards, executives handed the licence to use their Sega Park branding over to independent operators The Leisure Exchange PLC that March, with many of the venues opened in the 90s already in decline or closed entirely. Why did Sega World London close? There were obvious factors like the failure of the Saturn, Sega's concentration on the Dreamcast, and the massive losses those made themselves. These contributed to the diminishing of the valuable brand recognition and trust that Sega could provide, but were not direct influences - the place was of course managed by the company's western amusement sectors, which were largely a separate matter to the sides which dealt with their home consoles and game development. The unprofitability, while perhaps an easy answer, is most certainly why. Sega may well have wanted to wow visitors as much as possible, but taking 6 huge floors of a costly Central London location might've not been the solution to that. Hardships such as unruly employees and the disruptions that come with an attraction in such a well known place may have not been anticipated.
And while arcade gaming, at least in the sense of the health of dedicated player scenes, was about to enter its best state in years, it still wasn't what it once was. Global losses were abundant on the corporate side of things around this time period, with the largest casualty being once-heavyweights SNK filing for bankruptcy in 2001, despite Playmore picking up its pieces.
Over in Japan, several Joypolis venues were closed as part of a restructuring, and eventually Namco's Wonder Eggs parks were also shuttered. Sega's GameWorks venture in North America had scaled back its ambitions, scrapping plans for hundreds of new locations. Sega World Sydney in Australia closed permanently too - little could be salvaged from the brief time that ambition was high in the amusement industry.
Speaking legally at least, the reason for the centre's closure is clear. Thanks to the original 1996 deal with Burford Group, of which some sections were still in place, Sega were contractually required to drop their involvement with the Trocadero if £3 million in profits had not been officially earned from the venue by September 1999. It hadn't.
The Aftermath, and a new Funland (1999 - 2002)
Sega World was now Funland, and its own two pre-existing floors were absorbed and joined together in the process. All of the Sega signage was removed, and games were taken back, but Family Leisure immediately filled the floors full of new machines and attractions through their distributors, beginning what was hoped to be a worthwhile investment for the new millennium.
In 2000, Family Leisure once again tasked the previously mentioned Proun to update some of the old Sega World floors with new, fresh looks; particularly the former reception, Race Track, Carnival, and Sports Arena floors. A go kart track, sports bar, new bowling alley, and ghost train were installed, some of which can be seen in the pictures provided by Proun themselves below.
The buyout and subsequent refurbishment of the Sega World floors proved to be somewhat of a success at first - gamers from all over the country flocked to the place, with it now being considered one of the best arcades in the country again in many quarters. It was also significantly going mostly unopposed in its area; Namco had now closed their nearby Wonder Park location, and had moved operations a little further out to its Southbank "Namco Station" arcade, allowing for the Troc to win over more tourists and gamers in Piccadilly Circus than ever.
And fuelling Funland's new success was the huge boom in rhythm gaming. It had now well and truly hit the western world, with Konami releasing special localised versions of Dance Dance Revolution and Beatmania to Europe under the Dancing Stage and Hiphopmania monikers, as well as the numerous arcades importing Japanese mixes and other newly established series like Drummania.
Naturally, alongside all of the newest fighting, racing, and shooting games, Funland would also get the latest rhythm games before most anywhere, most notably the instalments of the Pump It Up, Beatmania, and Dancing Stage/DDR series, among others.
After an initial burst in 1999, the dance games crowd grew and grew in size, holding organised tournaments, bringing in players from around the country, and practicing their expert skills regularly to the amazement and bemusement of the general public. Much like what had already happened further east and further west, this was a genuine social phenomenon. The King Of Styles tournaments were the biggest in the area, and by the time of the second one in January 2002, the hype was at fever pitch.
A massive part of the dance games scene at the time was the boon of internet webpages and forums - something older arcade-goers never had the benefit of. Key places like dancingstage.co.uk and DanceGames.com for the European community were used to share tournament videos and photos, some of which are still in existence today and have been uploaded to YouTube.
While some were of the opinion that the scene was intimidating and different in vibe to the arcade communities that had came before, it breathed new life into a declining market and social outlet, at least for that time. Many friendships and relationships were forged through the scene, and for some, their whole adult life would even be formed through it, with the Trocadero right at the centre.
Embodying the era was a quote from one of the scene's most infamous players, Jason Ho, that has since almost passed down into legend:
"It's a social thing."
However, despite the revitalisation of Funland, Sega's pulling out triggered a knock on effect that would further the decline of the Troc as a popular tourist attraction. The trusted brand recognition, even if smaller by the time of 1999, had pulling power for the Trocadero, and without it, the place was considered as slightly less of a noteworthy attraction in the minds of advertisers. Pepsi were the next to go in early 2000, after another IMAX opened elsewhere in the centre of London. While the IMAX and sponsorship branding around the centre was removed immediately, the Pepsi Max Drop stayed for another few years, rechristened to 'London's Scream Ride'.
The Madame Tussauds branch in the basement followed suit in 2001, and some of the more upmarket shops and former VR experiences (Emaginator, Virtual World) were hastily replaced by shops and snack bars upon their closures. More worryingly, crime was on the rise too, on either side of the centre - corporate and consumer. The Trocadero's reputation was already declining, but it still wasn't as bad as it was to soon end up being. Funland's success was not to last.
Declining Trocadero (2002-2011)
In September 2002, the upper floors of Funland (the top 6 or so floors of the Trocadero) were completely shut off to the public by management. The lights dimmed, the media blast of the atrium died, and the Y2K heyday of the place was now effectively over. One of the reasons for this was the increased dominance of consoles, which had now properly caught up to arcades in graphical standards. But the main one was the huge investment Family Leisure had to continually make in ensuring the place would make a profit.
Management weren't used to running such a large centre as this, and often had issues with sufficiently staffing the numerous floors, leading to issues with crime and antisocial behaviour. Something had to give, and it did. The second rocket escalator was effectively rendered useless by this move, and was blocked off to the public - taking out all of the upstairs rides and arcade machines with it. Looking to minimise costs alongside Funland, Trocadero management decided to remove the video wall at some point around this time, and lighting features plus décor installed in the 1996 revamp was stripped.
What was once the Pepsi Max Drop was also removed, and relocated to the "Funland" fairground on Hayling Island (no relation), as well as the other rides that were installed on the upper floors.
However, the remaining 2 or so levels of Funland were still stocked full of games, and throughout its final years an effort was still made to get the newest releases.
Alongside Casino Leisure elsewhere in London, which catered better for traditional games like shoot 'em ups and fighters, the Troc was certainly still considered one of the premier arcades in the country, especially with numerous others going into worse decline than Funland itself. Location tests for Dance Dance Revolution X and Jubeat were held by Konami, and it was the only arcade in the UK to regularly get the newest instalments in the Korean Pump It Up dance game series - most places having abandoned it after the early 2000's due to its difference in style and music to the standard DDR.
Other imports and rarities like Street Fighter IV, Virtua Fighter 5, and Initial D Arcade Stage 4 meant that Funland was still well respected by most gamers. As a result, the place stayed open from the steady support and tourists who still bothered to come, despite it now looking rather rough around the edges - indeed, traces of the upper floors were never removed, with visible boarded up floors directly above the open ones, an obvious mark left by a removed McDonalds sign, and the 2nd rocket escalator almost comically being blocked off by a drink vending machine.
In 2005, a company called Criterion Capital owned by property developer Asif Aziz bought the Trocadero, and started plans to yet again gut out the interior of the Trocadero for a 500 room pod hotel. This didn't spell good news for Funland and the rest of the complex's tenants as a whole.
During this time, Funland gradually became even more rundown, with many games replaced by gambling machines, going against the family entertainment values that the place originally stood for. Rent costs were also increasing, with a recession looming over the UK economy.
Criterion also allowed what were pretty much market stalls to trade in the atrium. This gave the whole place an odd feel compared to what it was before, with most of the stalls selling questionable, tacky goods. As the neon on the escalators burnt out, and remaining décor installed in 1996 or even earlier started to decay, the Trocadero sank even lower yet.
Meanwhile, above the 2 operating floors of Funland, building work was being carried out on the decaying floors of Sega World, removing the remnants of the branding after a health and safety check deemed them highly dangerous due to the sheer amount of dust and asbestos left exposed. The only time the upper floors were used during this time were for the odd private party - the Gumball 3000 Rally Championship 2007 launch party was held there, and pictures of it can be found in this album on Flickr. But also, a few select people went up the closed off escalator and saw the remains of Funland and Sega World. Thanks to @Ricky_Earl on Twitter, who very kindly sent the pictures taken during research of this blog post, we can now see what was left.
(up the closed off 'rocket' escalator...)
(lots and lots of dust!)
(once the entrance, now a torn down and empty floor of nothing)
(a closer look)
(some remaining decor on the walls of the combat zone floor, is recognisable from the videos)
(down a derelict stair way...)
(...to what could be the 'race track' floor. this picture somewhat matches up with a part from one of the videos, it may be the entrance)
(a massive mural on the 'flight deck' floor. still there, albeit defaced by spray paint)
(more of the flight deck floor. still mostly unchanged)
(a closed off floor, presumably still having work done on it- likely the carnival)
(...and back down into funland.)
Then, in 2011, the end came. In the final months, the rent and bills were no longer getting paid for the floors, despite them seemingly still making a profit off of tourist trade and the fledgling dance game communities. Internal rumblings over consistent money mismanagement and disagreements over the lease went on for some time. After tensions came to a head with Criterion, the landlord cut off the electricity supply for the arcade, and locked the fire exits on the 3rd of July. Since the Trocadero was proposed to be a hotel in the coming years anyway, they weren't too interested in getting it back up and running in any form, and it was soon clear Funland would never return.
An outpouring of support and sadness followed on social media and forums - by this point Funland had been a staple of Piccadilly Circus for over 20 years, and good or bad, lots of people had lots of memories. The official Facebook page tried to lift spirits with talk of moving to a different location, but it was not to be. Funland, possibly one of the greatest arcades of all time to the players, was gone.
The final years (2011-2014)
After the Funland's closure, the Trocadero became virtually empty, both literally and figuratively. A small attempt was made to bring arcades and 3D experiences back to the centre in the basement, with the '5D World' and 'Star Attraction' arcades, but it was nothing compared to what Funland and Sega World were. It was rumoured that the rent was free for these places, with them taking only 20% of the profits made and the rest going to Criterion.
(virtually all that was left in the Troc after Funland closed)
More games were dotted around the 1st floor, with the only open attractions on that floor now that Funland was gone being the rundown Cineworld Cinema, still raking in some money from tourists and film-goers in the area, and a makeshift laser tag game where the IMAX once was situated. A substantial amount of the Trocadero was not open to the public now - in fact, less than back in 1984 when it had initially re-opened as a shopping centre. The old décor and signs of Funland were still up, as well as a gaping hole in the ceiling where the second escalator once was, giving lasting reminders of the former glory the place once had, now sadly long gone.
The community spirit of Funland still remained somewhat in the Trocadero's underground access tunnel, which had now been transformed into a dancing area - thanks to the the dance games, whose step charts allowed for freestyle routines, there was crossover with London's street dance and b-boy scene.
The last two big name tenants the Trocadero was hanging on to, HMV and Planet Hollywood, had now closed down and relocated to other premises in the capital, the former as a result of their unfortunate ongoing administration. The remaining shops left in the Trocadero hit a new low when a fake goods raid was carried out, with many extremely negative reviews now being posted on TripAdvisor. But the final, final end for the Trocadero happened during February of 2014. Plans for the hotel and shops had been granted since 2012, and work needed to start soon. Because of this, the central atrium of the Trocadero, with the two arcades, laser tag, and tourist stalls, was completely bordered off on the 24th of that month. Some dilapidated remains of the decor, unchanged since the 90s, could be seen in the corridor that had been made for the Cineworld Cinema to stay open for business during construction, and the very last remnants of Sega World and Funland could be seen here- a few old, broken arcade cabinets, still taking money. However this was the farthest cry from what it once was yet, and simply put, the Trocadero was now completely dead.
R.I.P. Trocadero, gone but not forgotten.
Loose ends, and the future of the Trocadero
The Cineworld Cinema (previously owned by MGM and Virgin), with the very last cabs scattered around it's entrance, only lasted until later in 2014. It was replaced and refitted into a Picturehouse Central in 2015, which also occupied some of Funland's former space. The last part of the Trocadero's status as an urban complex, the entrance shopping arcade, was later taken out and replaced by just one large tourist shop. The other Sega arcades around the UK, mentioned earlier in this article, suffered a similar fate to Sega World London. Needless to say, their owners never put much care into running them. By the 2010s all but two of the locations had long since closed down - Bournemouth, albeit made significantly smaller, was renamed to Fun Central under new ownership, and Southampton, the final holdout, closed down in February 2013 with the demise of the shopping centre it was located in. The Leisure Exchange, the final operators of many of the locations, are believed to have dissolved.
(around 1/4 of Sega World Bournemouth became an arcade called Fun Central)
In a way, Sega were in fact part of a vanguard that initiated a change in the UK's amusement arcade sector through their venues - whether it was a positive or negative one is up for you to decide, but despite it playing a part in the eventual near total death of the arcades as gamers knew them, they did precipitate a shift towards a more family entertainment focused way of running things, on which - among other causes, good and bad - the amusement industry thrives on to this day.
All of the former Sega World features and trappings are believed to no longer exist - with some notable exceptions, including the Sonic reception statue, currently privately owned. Some of Funland's games were sold to other arcades like The Heart Of Gaming in Croydon (VS City cabs, Naomi DX's), and others went to JNC Sales, who then auctioned them off themselves, and were bought by arcade machine collectors and other venues.
Some of them were also relocated by Family Leisure to Las Vegas Arcade in Soho, where they still reside in its basement alongside new imported cabs like Taiko No Tatsujin and Sound Voltex. It effectively became the main arcade in London for the rhythm game scene in the 2010s, with other venues like Vega opening off of the back of its success. The spirit of Funland still somewhat remains in this inner city venue.
Despite the closures of several locations decimating the total number of them, Joypolis operations in Japan hung on with the consistently successful Tokyo site in Odaiba. Recent years have seen Sega face further financial difficulties, signing away the rights for the remaining parks to Chinese company China Animations - who rebranded their division, Sega Live Creation, to CA Sega Joypolis - hopes remain high internally that these remains of Sega's dreams can continue on as long as they can.
And, around 4 years on from final closure, here is the Trocadero as of typing this:
As can be seen, the building has been stripped completely bare now. It could be said that this isn't much work for 5 or so years of construction, but the Troc was of course occupying well over 8 floors, with a large gaping hole where some had been knocked through in its centre, making the construction of a hotel a challenge.
And if looking hard enough, you can convince yourself the yellow and black wall paint leftover on one of the floors is a very small trace of Sega World. When it's come to that though, you know it's all over.
Epilogue
There is a certain kind of hope for the Trocadero - despite the logistical problems in anything filling its space easily, some things have begun to. For one, The Crystal Maze Experience, a tourist attraction re-enacting the popular TV game show, has somewhat brought the centre back to its roots in providing tourist entertainment. Some of its tatty shops have also been cleared out in favour of restaurants, including a Forrest Gump themed one named Bubba Gump, and a Chinese hot pot chain, Haidilao. Green shoots of recovery are indeed appearing.
But all in all, the Trocadero remains a fascinating part of Central London's recent history, especially if one is interested in gaming-related matters. When looking past the perceived wisdom made by some that it was all naff and deserved to fail, the vast history of failed tourist attractions and schemes is still impressive, yet also lamentable, considering the genuine brilliance of a lot of it, or at least the ambition.
Who knows what the future may bring for the building, but for some time to come, it will have still meant something for a certain amount of people, whether it be making their gaming dreams come true or changing the course of their social lives forever.
If little else, the ambition of Sega and the role Funland played in a fledgling social moment that has now diminished are things that should be remembered and acknowledged more in gaming circles - particularly the ones that have exhausted the ideas of 'retro gaming', and could do with a wider scope of interests.
It was a social thing, for a time. And for a lot of that it was futuractive.
...and that's it. My first proper blog post, and it took an incredibly long time to make. 2 months were spent sourcing videos and pictures, and making sure everything was verified and true, not to mention losing and eventually regaining the work I'd done. Huge thanks to everyone who uploaded the videos here and provided scans of gaming magazines which covered this, without them this probably wouldn't have been possible. And as big as this article is, I have had to cut some content out that just didn't fit well with the rest of it.
So, here are links to said content just below. They include Sega blogs recounting their memories of the place, to a archive of the original Trocadero website. Anyway, thanks very much for reading. More Trocadero, Funland and Sega World:
The 3 'new' tracks featured in the game, alongside the other three classic tracks, are Daytona International Speedway, Lakeside Castle, and Metro City. I say 'new' because they really aren't! They may look nice and different on the outside, but the latter 2 are a redressed and mirrored Dinosaur Canyon and Seaside Street Galaxy, and there is very little difference between Daytona International Speedway and Three-Seven Speedway besides the setting.
I must mention the good design of the actual cabinet. Looking at it in pictures, I wasn't particularly keen on it, but in person it's better. I like the overall aesthetic of the cab, with vibrant colours, fictional sponsor logos, and a leather headrest at the back of the seat giving the whole thing more of a racing feel.
So, finally, Daytona Championship USA is... fairly average. It's great to see Daytona back in arcades, but It just doesn't feel like there's enough new content here to keep me returning to it often, and the controls don't help too much either. 
Ted
